![]() Juana employed all of the poetic models of her day, including sonnets and romances, and she drew on wide-ranging-secular and nonsecular-sources. Sor Juana's enduring importance and literary success are partly attributable to her mastery of the full range of poetic forms and themes of the Spanish Golden Age, and her writings display inventiveness, wit and a wide range of knowledge. She also gained the patronage of the viceroy and vicereine of New Spain, and they supported her and had her works published in Spain. Juana had plenty of time to study and write in the convent, and she amassed a large library. Jerome) in Mexico City, where she remained cloistered for the rest of her life. She moved in 1669 to the Convent of San Geronimo (St. In 1667, owing to her desire "to have no fixed occupation which might curtail my freedom to study," Sor Juana began her life as a nun. Juana Inés de la Cruz was born out of wedlock in San Miguel Nepantla, Tepetlixpa - now called Nepantla de Sor Juana Inés de la Cruz in her honor - near Mexico City, circa November 12, 1651, when Mexico was still a Spanish territory. Sor Juana is heralded for her Respuesta a Sor Filotea, which defends women's rights to educational access, and is credited as the first published feminist of the New World. After taking her vows, Sor Juana read tirelessly and wrote plays and poetry, often challenging societal values and becoming an early proponent of women's rights. She began her life as a nun in 1667 so that she could study at will. Juana Inés de la Cruz's intelligence and scholarship became known throughout the country during her teen years. "About this title" may belong to another edition of this title.(1651-1695) Who Was Sor Juana Inés de la Cruz? She collaborates and publishes in the Tirant lo Blanc Association of Mexico and The Tirant lo Blanc Association of Catalunya. She coordinates the Dialogue between Cultures collection of Orfeo Catalan from Mexico where she has released two sketches of Mexican and Catalan female characters. She also co-authored the novel Florentine Manuscript. Biography for KIDS (Sor Juana Ines, Christopher Columbus) and Prospection Fiction as a textbook. Her first book of poetry published in Madrid, is called Avatars. In narrative she has published anthologies, Tales of the Hurus I and Hurus II files and the novels The Age of the Clones, The Witch's Loneliness, Rain Over The Bartender and Triviality, published in Barcelona. She resides in Mexico and is a professor-researcher of Prospective Fiction at the International Institute for Prospectives (ISEP), Mexico City. Blanca Fernandez Martinez has a degree in History from the Autonomous University of Barcelona. Colabora y publica en la Asociacion Tirant lo Blanc de Mexico y La Asociacion Tirant lo Blanc de Catalunya. Coordina la coleccion Dialogo entre Culturas del Orfeo Catalan de Mexico donde ha publicado dos semblanzas sobre personajes femeninos mexicanos y catalanes. Tambien la novela escrita en coautoria, El Manuscrito Florentino. Biografia para ninos (Sor Juana Ines, Cristobal Colon) y Ficcion Prospectiva como libro de texto. Su primer libro de poesia publicado en Madrid, se titula Avatares. En narrativa tiene publicadas las antologias, Cuentos del Archivo Hurus y Archivo Hurus II y las novelas La era de los clones, La soledad de la meiga, Lluvia sobre el barman y La Nimiedad, publicada en Barcelona. Reside en Mexico y es profesora-investigadora de Ficcion Prospectiva en el Instituto Internacional de Prospectiva (ISEP), de la Ciudad de Mexico. Blanca Martinez Fernandez es licenciada en Historia por la Universidad Autonoma de Barcelona.
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